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Mona Lisa Smile

Drama. Comedy In 1953, a time when women’s roles were rigidly defined, novice art history professor Katherine Watson (Julia Roberts) begins teaching at the prestigious all-female Wellesley College, which despite its academic reputation is an environment where success is measured by how well the students marry. Encouraging these women to strive for a more enlightened future, Watson challenges the administration and inspires her students to look beyond ... [+]
Author Review
United StatesUnited States
Boston Globe
Boston Globe
"The reliable Mike Newell directs Mona Lisa Smile with such assurance that the important moments are never mawkish or dull, and he encourages the women to act with absolute conviction." POS
United StatesUnited States
The Washington Post
The Washington Post
"Like the turtleneck cashmere sweaters and girdles that tie down these promising women, the movie is trite and trussed." NEG
United StatesUnited States
Los Angeles Times
Los Angeles Times
"For all its flaws, its obvious if irrelevant similarity to "Dead Poets Society," it lets us spend some quality time with some of the finest actresses in American film" NEU
United StatesUnited States
The Wall Street Journal
"The performances, under Mike Newell's direction, range from conventional (Ms. Roberts) to dreadful, and the script is as shallow as an old Cosmo cover story." NEG
United StatesUnited States
Variety
Variety
"An appealing female cast gives the hollowly formulaic 'Mona Lisa Smile' more dignity than it perhaps deserves"  NEU
United KingdomUnited Kingdom
Empire
Empire
"While often enjoyable, thanks to a talented cast and pleasing little subplots, this is shallow, predictable and lacking in conviction (...) Rating: ★★★ (out of 5)"  NEU
United StatesUnited States
The New Yorker
The New Yorker
"The fight against traditionalism has long been won, so the movie’s indignation feels superfluous, but Mike Newell’s direction is solid" NEU
United StatesUnited States
USA Today
USA Today
"Rather than being a fascinating exploration of a much more constrained time in our social history, the film simply feels anachronistic." NEU
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