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The Upside

Comedy. Drama A comedic look at the relationship between a wealthy paraplegic and an unemployed man with a criminal record who's hired to help him.
Author Review
United StatesUnited States
The New York Times
The New York Times
"Jon Hartmere’s script has genuinely funny moments and is blessedly short on crassness (...) A warm vibe between the two men goes a long way toward sweetening the sap and contrivances"  POS
United StatesUnited States
Variety
Variety
"All the flaws of the original film are present (...) Bryan Cranston and Kevin Hart have a relaxed comedic chemistry that may not validate the film’s sickly-sweet bromance, but does make it go down easy"  NEU
United StatesUnited States
The Hollywood Reporter
The Hollywood Reporter
"A winning cast keeps this feel-good comedy afloat (...) The same stereotypical vision (...) [It] never really finds its own voice"  NEU
United StatesUnited States
IndieWire
IndieWire
"Kevin Hart and Bryan Cranston make an odd couple (...) The safe, formulaic story is somewhat less problematic than the original, but doesn't go anywhere fresh."  NEU
United StatesUnited States
Vanity Fair
Vanity Fair
"It’s a movie that offers the biggest comedian working right now, Kevin Hart, a chance to reveal previously unseen dimensions (...) Familiar but pleasant"  POS
United KingdomUnited Kingdom
The Guardian
The Guardian
"[It] boasts funny, powerful performances, but can’t escape its racial subtext (...) This extremely by-the-numbers, manipulative and formulaic film is as funny as its framework allows it to be (…) Rating: ★★★ (out of 5)"  NEU
United KingdomUnited Kingdom
Screendaily
Screendaily
"'The Upside' is the sum of its good players and dubious politics, wrenching genuine tears from a story that celebrates the rich promise of life in all its shades of joy and heartbreak"  POS
United StatesUnited States
Rolling Stone
Rolling Stone
"[A] mediocre redo of a hit (...) A mediocrity (…) Rating: ★★ (out of 5)"  NEG
United StatesUnited States
rogerebert.com
rogerebert.com
"Cranston and Hart are pros, though, and do much with the extremely limited, telegraphed material (...) [It] never fully works"  NEU
United StatesUnited States
The Wrap
The Wrap
"[It] shares the main flaw of the French original: only the paralyzed white character gets to have layers (...) It’s just as pat and basic as it looks and sounds"  NEG
United StatesUnited States
Slant
Slant
"A bland and blunt remake (...) The two actors mine a few genuinely funny moments out of Jon Hartmere’s tepid, cliché-ridden screenplay (…) Rating: ★½ (out of 4)"  NEU
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