The Final Cut
6,662
Fantasy. Drama
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Author | Review | ||
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United States | San Francisco Chronicle | "So fascinating and has so many implications that it balances out some real flaws in the story" | POS |
United States | Time Out | "Naim's potential is evident, but his debut is a frustrating exercise in missed opportunities" | NEU |
United States | Baltimore Sun | "A slick sci-fi thriller that comes complete with enough twists to keep audiences satisfied and enough moral quandaries to keep the thinkers happy." | POS |
United States | Miami Herald | "Taxes the patience of even the most willing viewer with its sheer nonsense: It's distractingly illogical." | NEG |
United States | Los Angeles Times | "The thriller with a promising premise fails to deliver." | NEU |
United States | New York Post | "It's not a bad premise for a movie, but writer-director Omar Naim, a 26-year-old Lebanese native making his feature debut, proves equally inept at handling plotting, actors and pacing" | NEG |
United States | Dallas Observer | "A satisfyingly eerie thriller" | POS |
United States | The Hollywood Reporter | "Muddled and uninteresting" | NEG |
United States | Los Angeles Times | "Fairly well done but deadly dull futuristic thriller" | NEG |
United States | Chicago Reader | "Naim's premise has possibilities, but its execution often feels slapdash -- the viewer's sense of deja vu may be even more excessive than the characters" | NEG |
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