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Meet Joe Black

Romance. Drama. Fantasy Joe Black and Bill Parrish enter into a most unusual gentleman's agreement. Wealthy media tycoon William Parrish leads a charmed existence until Death comes calling with an extraordinary proposition - he'll delay Bill's imminent demise in exchange for a tour of life. Innocent, enigmatic and often hilarious, Joe disrupts Bill's world of privilege and corporate intrigue. But when he falls for Bill's beautiful daughter, Joe threatens to ... [+]
Media Author Review
United States
Rolling Stone
"'Meet Joe Black' is a movie about death that stubbornly refuses to come to life. Is it bad? Indisputably." 
United States
rogerebert.com
"The movie contains elements that make it very good (...) There's so much that's fine in this movie (…) Rating: ★★★ (out of 4)" 
United States
The New York Times
"There's not a scene or performance here (...) that couldn't have been helped in the editing room by picking up the pace." 
United States
CNN
"This ... is ... a ... slow ... movie. Incredibly ... ... ... ... ... ... slow (...) If the damn thing were an hour shorter, I probably would have liked it a lot." 
United Kingdom
Empire
"At half its length it would have been twice the movie (...) Epic Hollywood romance that has oh-so-pretty central couple but drags alot (…) Rating: ★★★ (out of 5)" 
United Kingdom
The Guardian
"The movie's four screenwriters clearly don't know what to make of Death (...) A potentially charming fantasy becomes a grave, funereal work" 
United States
Variety
"[It is] weighed down by ponderous pacing, overstuffed production values and an instance of miscasting (...) The story is finally just too contrived and wispy to support heavy emotional investment." 
United States
The Washington Post
"Much of director Martin Brest's so far firm rein on the proceedings is dissipated in a squishy denouement whose payoff does not fulfill the film's grand promise." 
United States
Entertainment Weekly
"More turns out to be less (...) 'Meet Joe Black' is sometimes clever and enjoyable, even touching, yet too often the film makes you feel as if you’re in Sunday school." 
United States
Chicago Reader
"[A] savory, extralong feature (1998), whose obvious plotlines unfold with an almost painful slowness that somehow makes them deeper." 
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