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V/H/S/94

Horror. Thriller In "V/H/S/94", after the discovery of a mysterious VHS tape, a brutish police swat team launch a high-intensity raid on a remote warehouse, only to discover a sinister cult compound whose collection of pre-recorded material uncovers a nightmarish conspiracy.
Media Author Review
United States
The Playlist
"Omnibus movies like 'V/H/S/94' are always tricky to review and recommend (...) But even its weakest pieces are still entertaining, and the good stuff is exceptionally so" 
United States
Variety
"Overall, this is a fun way to spend 100 minutes or so, warts and all (...) FX work is solid" 
United States
IGN
"[It] features four stories that do very little with the concept, and one by Timo Tjahjanto that blasts a hole through the genre in wildly exciting fashion." 
United States
rogerebert.com
"The resulting 'V/H/S/94' falls victim to the traditional unevenness that is common to anthology horror but with more hits than misses (…) Rating: ★★½ (out of 4)" 
United States
Dread Central
"There’s a great balance of technical artistry and funhouse fright that keep the momentum building through every story (…) Rating: ★★★½ (out of 5)" 
United States
IndieWire
"The 'V/H/S' series was once a clever showcase for the horror genre's brightest talents, but the appeal has completely faded." 
Canada
Screen Anarchy
"There’s something for practically every horror fan in 'V/H/S 94'. That alone makes the fourth entry a welcome one." 
Australia
The AU Review
"Overall, 'V/H/S/94' is a great return to form as it provides a fun, grungy and horrific experience that adopts its new era-appropriate aesthetic to bring new life and energy to the franchise (…) Rating: ★★★½ (out of 5)" 
United States
AV Club
"[It] boasts the more simple, ageless appeal of campfire stories; every omnibus entry is really just a game of tension and release, of hide and then unleash the monster" 
Canada
CBR
"Its overall entertainment value is the highest of the series to date (...) The anthology format offers endless possibilities (...) which the filmmakers here stretch in various ways." 
United States
The New York Times
"[It] is the first wholly successful one [of the franchise], for the simple reason that each of its four unique, 1990s-set segments is a winner" 
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