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Dominican Rep. After.Life
4,468
Horror. Thriller
After a horrific car accident, Anna (Christina Ricci) wakes up to find the local funeral director Eliot Deacon (Liam Neeson) preparing her body for her funeral. Confused, terrified and feeling still very much alive, Anna doesn’t believe she’s dead, despite the funeral director’s reassurances that she is merely in transition to the afterlife. Eliot convinces her he has the ability to communicate with the dead and is the only one who can ... [+]
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"The potent imagery never meshes with narrative logic in Agnieszka Wojtowicz-Vosloo's first feature, promising more than it can deliver." | ||
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"I don't think we're expected to take After.Life any more seriously than Ricci's last extended (near) nude role in the immortal "Black Snake Moan." That one was more fun" | ||
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"Caught in a pretentious no-man’s land between horror and melodrama" | ||
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"Clean, precise and terribly sullen, After.Life is like its female protagonist. It feels stuck between worlds, or genres" | ||
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"The only thing worse than bad horror is pretentiously bad horror. From title to finish, After.Life takes itself far more seriously than you will." | ||
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"Icky, nasty, calculatingly odd and a little funny, though more often strained and inadvertently absurd, After.Life changes its mood and apparent intentions from scene to scene, sometimes minute to minute." | ||
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"After this and "Black Snake Moan," it might be time for the talented actress (Ricci) to keep her clothes on." | ||
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"So many horror conventions are at work in After.Life that either the filmmakers are parodying them or couldn't come up with anything better. I'm betting on the second choice." |
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