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The Green Mile

Drama. Fantasy In a US retirement home in the present, elderly Paul Edgecomb reminisces to his friend Elaine. Flashbacks reveal events in 1935: Edgecomb is a death-row warder in a southern state prison. He takes custody of John Coffey, convicted of murdering two little girls. Another warder, Percy Wetmore, who treats the prisoners sadistically but is protected by powerful allies, asks to take part in the next execution. One day, Coffey calls over ... [+]
Media Author Review
United States
The New York Times
"It's a film with a counterproductive tendency to take its time (...) Unassumingly strong, moving performances and Mr. Darabont's durable storytelling make it a trip worth taking just the same." 
United States
New York Post
"A reminder of just how good Hollywood storytelling can be." 
United States
Newsweek
"A lumbering, self-important three-hour melodrama that defies credibility at every turn" 
United States
rogerebert.com
"By the end (...) the story has so well prepared us that the key scenes play like drama, not metaphor, and that is not an easy thing to achieve (…) Rating: ★★★½ (out of 4)" 
United Kingdom
The Guardian
"Well-made and enjoyable, it's much inferior to the earlier film (...) The improbability factor goes far beyond the supernatural aspects." 
United States
Variety
"An intermittently powerful and meticulously crafted drama that falls short of its full potential due to considerable over-length and some shopworn, simplistic notions at its center" 
United Kingdom
Empire
"There's certainly a lot of great stuff here. But be warned, youll need stamina (...) Polished it is, profound it ain't (…) Rating: ★★★★ (out of 5)" 
United Kingdom
Time Out
"This suffers from a surfeit of plot threads and characters, some more compelling than others (...) The supernatural elements carry an undeniable emotional charge" 
United States
New York Magazine
"A fairly good and well-acted movie (...) Darabont works big but thinks small, or at least without great complexity." 
United States
Chicago Reader
"The resonant characterization, expansive plotting, and judicious use of exterior locations and flashbacks turn the walls into windows." 
United Kingdom
Radio Times
"[A] masterful sentimental fantasy (...) [Darabont] cleverly manipulates the emotions (…) Rating: ★★★ (out of 5)" 
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