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Demolition

Drama Davis (Jake Gyllenhaal), a successful investment banker, struggles after losing his wife in a tragic car crash. Despite pressure from his father in law Phil (Chris Cooper) to pull it together, Davis continues to unravel. What starts as a complaint letter to a vending machine company turns into a series of letters revealing startling personal admissions. Davis' letters catch the attention of customer service rep Karen (Naomi Watts) and, ... [+]
Media Author Review
United States
Variety
"The result is the best Gyllenhaal performance since 'Brokeback Mountain' and a partially heartless character who manages to work his way into ours." 
United States
New York Post
"Jake Gyllenhaal shines even as ‘Demolition’ self-destructs. (...) highly contrived script (...) Gyllenhaal and Watts have no chemistry whatsoever" 
United States
IndieWire
"Gyllenhaal (...) turns in another wonderful and nuanced performance (...) there's glory in the action, freshness and revitalization, but (...) 'Demolition' collapses under its own ambitious weight." 
United Kingdom
Telegraph
"Crashingly ludicrous mis-step from director Jean-Marc Vallée (...) Rating: ★★ (out of five)" 
United States
The Hollywood Reporter
"Offbeat, exuberant and occasionally quite hilarious." 
United States
Rolling Stone
"Director Jean-Marc Vallee keeps pounding the point that Gyllenhaal's character must destroy his old self to build a new one. It would be funny if it wasn't so profoundly unprofound. (...) Rating: ★★ (out of four)" 
United Kingdom
The Guardian
"A frustratingly aimless soul-search that veers uncomfortably between quirk and melancholy. (...) Rating: ★★ (out of five)" 
United States
Hitfix
"Thanks to some fortuitously funny moments, Vallee's assured direction and Gyllenhaal's spectacular performance it's surprisingly compelling." 
United States
The New York Times
"Mr. Gyllenhaal's strong performance still doesn't add enough substance to a film that is hollow at the center. It's mostly the fault of Mr. Sipe, who seems to believe that saying nothing is saying something." 
United Kingdom
Screendaily
"Jake Gyllenhaal creates some empathy as a man in spiritual free fall, but director Jean-Marc Vallée never grounds his protagonist’s peculiar mourning process in any sort of believable human behaviour." 
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