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EO

Drama Follows a donkey who encounters on his journeys good and bad people, experiences joy and pain, exploring a vision of modern Europe through his eyes.
Media Author Review
United States
Variety
"A damning polemic on our relationship to other intelligent species as seen through the dewy, wide eyes of a donkey whom we come to adore." 
United Kingdom
The Guardian
"Life is seen through the eyes of a put-upon beast of burden in this beautifully photographed homage to 'Au Hasard Balthazar' (...) I’m not sure this is my favourite Skolimowski film, but it is engaging (...) Rating: ★★★ (out of 5)" 
United Kingdom
Screendaily
"'EO' takes a simple premise to unexpected places that are sometimes surreal, sometimes operatic, and in the film’s stylistic dynamism, sometimes downright Kubrickian." 
United States
The Washington Post
"[It] captures the beauty of the world and the cruelty of humankind (...) The director is still an assured and audacious filmmaker (...) Rating: ★★★½ (out of 4)" 
United States
The Wrap
"A through-and-through exercice de style as the French would put it, “EO” has plenty on its mind and nothing much to say" 
United States
The Hollywood Reporter
"Despite a shred of story that’s told episodically, 'EO' can be an engrossing experience. This is in a large part due to the stunning, immersive photography of Mychal Dymek" 
United States
Slant
"[It] feels freed of plot, free of expectation, driven only by the need to honor its own internal, poetic drive (...) Rating: ★★★ (out of 4)" 
United States
Deadline
"It may be impossible for a human to truly imagine the mindset of a donkey, but veteran Polish director Jerzy Skolimowski for the most part does a very engaging job" 
United States
IndieWire
"In Bresson's version, it's the humans around the donkey who are the true center of the story. Not so in 'EO' .This is Donkeyvision, and we're better off for it" 
United States
rogerebert.com
"Extravagant praise, vicious dismissals, and wildly different interpretations all seem like possibilities with this film. With apologies to Bresson, it's real cinema" 
United States
Paste Magazine
"Skolimowski is a filmmaking wizard that knows how to get your attention with creativity and empathy alone" 
United States
The Film Stage
"Very fun-natured, actually quite unpretentious film (...) Skolimowski uses cinema to create a non-headset-required virtual-reality experience of another creature's life —an empathy machine, if you will" 
United States
The Playlist
"A joyful, experimental, and strangely moving [film] that doesn't always take itself seriously —yet it is nothing if not sincere. There is a sweetness to Skolimowski's approach that takes little away from the impact or the fun" 
United States
SlashFilm
"Skolimowski may tell EO's story, but he refuses to give him a voice —a deliberate choice that highlights the futility of his plight. EO's fate is in our hands. It's up to us what we do with it" 
Canada
Screen Anarchy
"An immersive, biting allegory" 
United States
Rolling Stone
"Jerzy Skolimowski's weird, wonderful and moving tale forces the audience to confront civilization through the eyes of a beast of burden" 
United States
Los Angeles Times
"A gorgeous portrait of a donkey, is the movie you've been braying for (...) It's the grace of this movie to extend that communion to the human beings who pass in front of the camera" 
United States
Austin Chronicle
"If the visually inventive nature of the film isn’t enough to entice you, the few human performances in the film are worth seeing, too. Pure, tender cinema is rare nowadays, but 'EO' delivers" 
United Kingdom
Empire
"A beguiling and often brutal look at the life of a donkey, this hijacks your heart, your mind, your ears and your eyes from start to finish (...) Rating: ★★★★★ (out of 5)" 
United States
Chicago Reader
"Skolimowski's inventive and engrossing film strikes an emotional core and pulls viewers into Eo’s observant eyes" 
United States
Time Out
"Soulful and mysterious, this donkey odyssey is an unforgettable experience (...) Rating: ★★★★★ (out of 5)" 
United States
Decider
"It is a marvel, a singular vision. You’ll poke holes in it, question it, be immersed in it, and you won’t see anything quite like it for a long time" 
Cineuropa
"There is something about this film that feels very young, film school-y even, but it's quite inspiring that instead of delivering safer fare, Skolimowski still feels like playing" 
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