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The Painted Veil

Romance. Drama A love story set in the 1920s about a young English couple (a doctor and a society girl) who marry hastily, relocate to Hong Kong where they betray each other easily, and find an unexpected chance at redemption and happiness while on a deadly journey into the heart of ancient China. Based on the novel by W. Somerset Maugham.
Author Review
United StatesUnited States
New York Post
New York Post
"Despite a fierce lead performance by Naomi Watts, The Painted Veil is a quaintly bloodless, picture-postcard adaptation of W. Somerset Maugham's 1925 China-set novel - more Merchant Ivory than David Lean."  NEU
United StatesUnited States
Baltimore Sun
Baltimore Sun
"No one has caught the pride, remorse and pain of an unloved and possibly unlovable husband better than Edward Norton in 'The Painted Veil'" POS
United StatesUnited States
Entertainment Weekly
Entertainment Weekly
"The always surprising Watts creates a woman at once contemporary and retro. And Norton, as a producer as well as star, concedes enough space for Schreiber and the effortlessly fascinating Jones to earn their own spotlights." POS
United StatesUnited States
ReelViews
ReelViews
"A lot takes place during 'The Painted Veil's' two-hour running length, but most of what happens occurs within the hearts and minds of the leads." POS
United StatesUnited States
TV Guide
TV Guide
"John Curran's pretty melodrama rubs off a few of the barbed edges from W. Somerset Maugham's 1925 novel about love and infidelity in a time of cholera" POS
United StatesUnited States
New York Daily News
New York Daily News
"'The Painted Veil' may begin too slowly, but it also ends too soon." POS
United StatesUnited States
Chicago Tribune
Chicago Tribune
"The Chinese locations ache with beauty (...) 'The Painted Veil' really does feel like a story worth filming a third time." POS
United StatesUnited States
The Hollywood Reporter
The Hollywood Reporter
"The film is unusual in that it is a co-production with the Chinese. Whatever difficulties this imposed on the Western filmmakers, the reward is a period film that feel authentic to its time and place." POS
United StatesUnited States
New York Magazine
New York Magazine
"Watts is so open, so soulfully petulant, so transcendentally pretty, that even Maugham might reconsider the pleasures of the flesh."  POS
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