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Umma

Horror Amanda and her daughter living a quiet life on an American farm, but when the remains of her estranged mother arrive from Korea, Amanda becomes haunted by the fear of turning into her own mother.
Media Author Review
United States
Variety
"It never manages to thread the needle between its horror setpieces and the more serious themes of generational trauma lying beneath." 
United States
IGN
"It’s overstuffed with symbolic imagery that is never fully explained. Though Oh and Stewart give solid performances, the tone and tension of the story ends up being choppy and underwhelming." 
United States
The Hollywood Reporter
"[It] proves the sort of minor chiller best experienced on late-night cable (...) Oh tries, but the movie's mediocre." 
United States
Collider
"A solid entry for Shim's debut with a strong story and standout leading performance from Oh. It examines generational trauma, identity, and what it means to confront your past, and it does so effectively." 
United States
IndieWire
"[Some] stuff is genuinely frightening (Shim is skilled at capturing unnerving shots and holding close until it nearly hurts), but plenty of it is sort of silly." 
United States
Bloody Disgusting
"The ideas and core takeaways are easy to grasp, but the execution falls flat (...) It results in a sparse story with great ideas but not much else (…) Rating: ★★ (out of 5)" 
United States
Los Angeles Times
"[It] shows that horror remains an effective space to engage with heftier topics (...) What I appreciate most with 'Umma' is that understanding and forgiveness are not idealized." 
United States
The Wrap
"Modern horror gets flak for leaning too far into grief and trauma as a justification for its scares, and 'Umma' leans a little too hard on both of these without going particularly deep." 
United States
Forbes
"[It] has so little to offer beyond the 'Hey, it’s about trauma!' messaging that it almost plays like a self-satire." 
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